I’ve been playing with a Yamaha SEQTRAK a bit for the past week.
This device is incredibly cool. It’s a mobile idea station designed for both power and portability. It features a multitrack sequencer, a wide variety of synths, effects, and a sampler. With about four hours of battery life, it’s fun to carry around the house or on the go. The build quality is solid, and its design is stylish. The touch strips are highly responsive.
A complimentary app lets you control the entire device through a graphic user interface. The app also includes eye-catching visualizers that sync with your music. I have a feeling some of my general music students will enjoy it—the focused form factor could serve as a great introduction to sequencing.
If this sounds interesting, there are plenty of demos and tutorials available online, one of which I embedded below. I just wanted to share that I think this wave of portable beat machines is a great trend—and the SEQTRAK gets my thumbs-up!
Thanks to my sponsor this week, DMV Percussion Academy, a summer percussion workshop in Maryland.
The workshop is for students grade 6 through 12. Students experience clinics, masterclasses, personal coaching, and college/career advice by the region’s top performers and educators. Students will also present a percussion ensemble concert at the end of the year.
The clinician list is full of local and national all-stars! Be sure to check it out and follow the program on social media @DMVPercussion
My band classes meet online using Google Meet once a day for 45 minutes. I am trying to keep them playing as much of this time as possible while slowly introducing the tech tools we will be using to submit work this semester.
Using the Yamaha Harmony Director, plugged in through Logic (along with some trap beats and 808 bass lines I recorded in with software instruments), I have started to make some play-along tracks to route through the Google Meet via Loopback.
See below for the Logic Pro setup. I am using a drummer track for the trap beat, an 808 bass instrument as a software instrument to record the bass line, and the Harmony Director is being recorded live as an audio track. The HD is plugged directly into my audio interface to do this.
I decided to keep the bass part droning in the key area of the scale because that software instrument plays in equal temperament by default. It also sounds more like an authentic trap beat this way, where the bass line functions similar to a bass drum.
I already used this method in my first period class this morning and the band loved it. This is just the beginning. I whipped this together in a hot minute and anticipate making a variety of scale patterns in different musical styles.